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https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847902870-ZOUR0EX0L2QSQNRC1SP2/image-asset.jpeg Submissions 1 - Submission Guidelines When citations are used, please use Chicago Author-Date format. We can help you with this. Submit your writing as Word Documents using Times New Roman size 12 font. This document should include the title of your article, the article‘s text, and a bibliography listing any sources you referred to in the article. A separate document should include your name and a brief biography situating yourself in relationship to performance and/or intimacy specialization. https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847903067-57HDPDJ6TWU40QPAQLS4/image-asset.jpeg Submissions 1 - Author Compensation You read that right. We look for scholarly rigor, rooted in research or one’s own experiential learning. But we understand that writing takes time, and this requirement often stops leaders in our community from sharing their discoveries. To overcome this gatekeeping, we compensate authors according to the following scale: 500-1,000 words: $50 author stipend 1,000-1,500 words: $100 author stipend 1,500+ words: $150 author stipend We publish writing by our community for our community. As an open-source journal, we make no profit through our publications. 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Wyn Moreno (left) and Patrick Vest (right) recall and restage the above scene, revealing the human characters behind the avatars to the audience. In performance, if any actor signaled to use Plan B choreography, the Plan B choreography was utilized in both scenes. Intimacy Choreography: Amanda Rose Villarreal https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1642787511347-RE24B709Q6FX8ZKZ6UME/unnamed.jpg Kissing in COVID - Make it stand out Skeleton Crew (2021) at Bristol Riverside Theatre. Joell Weil as Shanita and Malik Childs as Dez. Intimacy Choreography by Laura Rikard. PC: Mark Garvin. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/bd5b1989-2eab-4369-93f8-6408fb7f1c1c/FGG_9849.jpg Kissing in COVID - Make it stand out The Nether (2021) at The Wayward Artist. Wyn Moreno as ‘Papa’ (left), and Jacqueline Jade (right) as ‘Iris’. In this production, this scene occurs in a virtual world called ‘The Nether,’ and both characters are avatars in this virtual reality. Intimacy Choreography: Amanda Rose Villarreal https://www.journalcbp.com/v1i1p24-34 daily 0.75 2022-02-26 https://www.journalcbp.com/v1i1p42-71 daily 0.75 2022-02-26 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/9e61b168-8b36-40a5-8ff4-d9c581234690/dor16.jpg Tools of the Trade - Make it stand out The Round Barrier attached to a table in order to assist the performer to anchor their body to it. Used in a simulated sex action that required a fast, dynamic and accelerating repetitive movement quality. 4 August 2020. © Yarit Dor. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/2bafd415-dbfb-4940-835c-3db18aabe302/dor1.jpg Tools of the Trade - Make it stand out PC @dazzleships, 2015 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/d590b449-164e-4ba5-a587-50f82d043c43/dor5.jpg Tools of the Trade - Make it stand out products sold by INTIMASK online shop PC: @intimask.garments https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/ceb68671-21f9-4539-872d-500f641e55c1/image-asset.png Tools of the Trade - Make it stand out INTIMASK's strapless brief @intimask.garments https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/f595d952-7542-4028-bf94-833f2e856d39/dor3.jpg Tools of the Trade - Make it stand out sketches by Yarit, made for an INTIMASK meeting, 16 November 2019. © Yarit Dor. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/512e1d9e-ead3-462d-9ebc-8e645131ba19/dor4.jpg Tools of the Trade - Make it stand out sketches by Yarit, made for an INTIMASK meeting, 16 November 2019. © Yarit Dor. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/d4d27162-3d48-4056-8d92-7ee05fa3521c/dor9.png Tools of the Trade - Make it stand out INTIMASK was the first modesty garment company to offer all of their products in 6 skin tone shades. PC: https://www.intimask.com/size-colour-guide https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/66dbe418-b20a-4db3-8602-19bfe2b35b08/dor14.png Tools of the Trade - Make it stand out INTIMASK's Strapless Thong @intimask.garments https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/25a12d4b-5176-45e6-94a8-b0c7963cb828/dor2.jpg Tools of the Trade - Make it stand out @Officialtomellis, 2018 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/b9f32f2f-fe26-49d1-bb51-4b7973e2c31f/dor10.jpg Tools of the Trade - Make it stand out A range of Strap Garments and Chest Coverings in a beige/light beige skin tone. © Yarit Dor. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/8c1e17aa-8fba-4751-b159-d4fd9736f76f/dor8.jpg Tools of the Trade - Make it stand out INTIMASK Lead Designer Shoni Wilkinson (left) and Lead Product Developer Yarit Dor (right). PC: Olivia Brabbs Photography https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/8c683d5c-d6a5-4e5b-94c9-eabf55a0a153/dor11.jpg Tools of the Trade - Make it stand out Strapless Garment, Strap Garment, Nipple Covers and a skin-tone tape all in a medium brown skin tone. These were the items chosen by the performers in a pre-production intimacy chat on 16 January 2020. © Yarit Dor. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/4d9331cb-388b-43b2-a20f-1360901820a4/dor6.png Tools of the Trade - Make it stand out INTIMASK Silicone Barrier (Vega) PC: https://www.intimask.com https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/d07cbffe-8409-4845-9dc2-0adafaa299c3/dor7.png Tools of the Trade - Make it stand out INTIMASK Silicone Barrier (Vega) PC: https://www.intimask.com https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/7a98cdbb-c7ee-4e79-af36-504cca4493cd/dor15.jpg Tools of the Trade - Make it stand out The Round Barrier with an added seat on top of it. © Yarit Dor https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/07210ce3-bbb4-474e-a844-96e453a606d5/dor12.png Tools of the Trade - Make it stand out INTIMASK's Shield Pouch PC: @intimask.garments https://www.journalcbp.com/editorial-board daily 0.75 2024-05-28 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1646875099195-EFGVR6GV2TC6IQGEOQU0/sortore_headshot.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1646873889749-1800EVLT13E2PFP6NXFL/2O7A0825.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1647292149577-PJW61Y4ISQEI2RE2NBQT/Joey+Massa+headshot.jpeg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1647883542712-81OHUNNZ1ETNIFQZLRM7/ArpDunham+HS+%281%29.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1648504721800-Y633RX66TXM04414RNFV/unnamed.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1649103394073-4GLB1L2UC3V5TVTB7756/unnamed-3.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1649103477244-2GNC9E33ABIQDSJDW7B0/unnamed-2.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1649725388873-WVKWECFKW91UZ01ZN1V9/Mya+Brown+web.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1650648638671-JHWHX6WXUZXJWSV9E0JE/Pia-Rickman-02.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1650776374944-80MO3MDNC05POBZBY7QS/**Rollie+2.jpg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1659735991715-S4EGU77HOCMISHASX1UI/Bucknell+Theatre+Magazine+possibilities+-+1+%281%29.jpeg Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/96dc6ea7-bbe9-4dc8-b80c-646334731b4f/JCBP+Logo_Favicon.png Editorial Board https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/c5ac4d5d-28b2-423b-aa72-70266c778fde/Cassie+Nordgren.jpg Editorial Board https://www.journalcbp.com/1-2-cfp daily 0.75 2024-01-10 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/1622464550929-XSH7MIRLGGDGIIGCRFGL/1.jpg CFP There are no impostors in this space. Your thoughts, ideas, and questions are useful to our community. Submit your writing If you are an actor, educator, director, scholar, artist, or student learning about consent-based practice, you’re welcome on this journey. Share what you have learned and discovered. Share your questions. We’re all helping each other grow. https://www.journalcbp.com/virtual-land-acknowledgement daily 0.75 2023-01-17 https://www.journalcbp.com/v1i2-1-14impact daily 0.75 2022-08-29 https://www.journalcbp.com/v1i2-15-31asserting daily 0.75 2022-08-29 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/19ef3f0d-c957-4d55-ad8d-eed9e0a31f99/Screen+Shot+2022-08-27+at+6.38.04+PM.png Asserting Boundaries - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.journalcbp.com/v1i2-32-79census daily 0.75 2022-08-29 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/123b106f-80cf-4beb-a857-7ba5a179d11e/acacia6.png Census Review - Make it stand out Fig. 6: Frequency of barrier category mentions https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/8d41621f-bca8-4847-b3f5-61d05cf13fc6/acacia2.png Census Review - Make it stand out Fig. 2: Demographics of respondents, based upon personal identification https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/5f41d24c-7bba-4e1f-a534-c16b10120a4c/acacia3.png Census Review - Make it stand out Fig. 3: Pie chart indicating the amount of organizations intimacy professionals worked with in pursuit of training https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/f6c409ec-eae9-462a-8264-140151b4424a/acacia4.png Census Review - Make it stand out Fig. 4: Qualifying categories represented by number of mentions https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/a460d82c-eb58-49ad-8b17-f0ac6034c2d1/acacia1.png Census Review - Make it stand out Fig. 1: Map of the United States, illustrating the amount of intimacy professionals who reported working in each state https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/4481f677-0a0b-4f5d-aec2-a58f5d35a07b/acacia5.png Census Review - Make it stand out Fig. 5: Job frequency distribution across the population of respondents. https://www.journalcbp.com/v1i2-111-136thought daily 0.75 2022-08-29 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/7dd8d79e-a706-4249-bd3f-919cc85a3929/Alli1.jpg Thought Bubble - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.journalcbp.com/fall22 daily 0.75 2024-06-05 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg Fall22 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg Fall22 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg Fall22 https://www.journalcbp.com/tv1i2-137-167cmt daily 0.75 2022-08-29 https://www.journalcbp.com/v1i2-80-110visions daily 0.75 2022-08-29 https://www.journalcbp.com/v2i1p1-16 daily 0.75 2023-02-21 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/3dca4301-9770-4b2b-8924-6a171c232161/Picture1.png Focus on Impact - Make it stand out Fig. 1: A screenshot of a student’s response to the syllabus quiz https://www.journalcbp.com/v2i1p61-86 daily 0.75 2023-02-27 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/7fa1300f-9554-4f94-ad06-fcdf138f9096/Picture1s.jpg Bigger Risks - Make it stand out Figure 1. Hand-drawn chart with examples of creative, physical, social, and emotional risks divided into “lower-risk” and “higher-risk” categories. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/f89799c9-f232-460e-9232-bf9a0fa5d834/Screenshot+2023-02-20+at+5.31.59+PM.jpg Bigger Risks - Make it stand out Figure 3. Risk, Boundaries, Support: A model for the classroom and rehearsal studio https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/0b465fef-a0ad-4d2e-af45-380981812526/Screenshot+2023-02-20+at+5.30.32+PM.png Bigger Risks - Make it stand out Figure 2. Student responses to end-or-course written evaluations for The Craft of Acting, May 2022. https://www.journalcbp.com/v2i1p17-48 daily 0.75 2023-02-27 https://www.journalcbp.com/spring23 daily 0.75 2024-06-05 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg Spring23 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg Spring23 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg Spring23 https://www.journalcbp.com/v2i1p87-103 daily 0.75 2023-02-27 https://www.journalcbp.com/v2i1p49-60 daily 0.75 2023-02-21 https://www.journalcbp.com/fall23 daily 0.75 2024-06-05 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg Fall23 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg Fall23 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg Fall23 https://www.journalcbp.com/v2i2p1-14 daily 0.75 2024-06-05 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/98d7bc96-cd8d-4618-8da4-f60ebcddda8d/Picture1.jpg Puppy Love and [Information] Play - Make it stand out Andrew Hobson. “Dog,” Love and Information, 2023. https://www.journalcbp.com/v2i2p15-29 daily 0.75 2024-06-05 https://www.journalcbp.com/v2i2p30-50 daily 0.75 2024-06-05 https://www.journalcbp.com/spring24 daily 0.75 2024-07-02 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg Spring24 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg Spring24 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg Spring24 https://www.journalcbp.com/v3i1p1-22 daily 0.75 2024-06-05 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/7ffc4c07-f7d5-4689-8dee-6831cefcdd51/murphey2.png QueeringNeverland - Make it stand out An image of the design proposal I made for Slightly’s special keepsake from Neverland, a fox stuffed animal sewn by Wendy. The background is a soft cream color, like a map. On the left side, there are two illustrations of the stuffed animal—a front and back view. The front view depicts the fox’s white, triangle ears; soft, orange face; brown, rock eyes, stitched on with black thread that forms its pupils; green pine-needle whiskers and a red rock nose, sewn on with tan thread; orange, cylindrical body and black arms and legs, four little sacks sewn onto its bottom and sides. The back view includes the fox’s tail, which is made of two sticks crossed in an “x” shape, attached to the back with orange yarn in such a way that the “x” can be spun like a fidget toy. A drawing of three rocks is notated with the caption: “Rocks the color of Wendy’s eyes, found on an adventure” and “rock nose.” Between the ears on the back view, a caption reads: “Cloth and thread cut from Peter’s weathered clothes.” Drawings of a leaf and a pine branch are captioned: “Body, head, hands and feet stuffed with leaves of various textures, making it a satisfyingly crunchy fidget toy” and “pine-needle whiskers.” On the right side of the image, the words “Neverland Treasures” are written in stylized blue, and “SLIGHTLY” is written in green below that. A block of text then reads: “Each of the Lost Boys has a keepsake from Neverland: a special object they found, made, or loved there. For Slightly’s, we came up with a story where their original special objects were two round rocks they found, kept because they’re the color of Wendy’s eyes. Wendy heard Slightly mention this once. After that, she made a plan, and one night, when she couldn’t sleep, she put this little stuffed animal together from some of Peter’s old clothing. A fox because red foxes are Slightly’s favorite animal (and a subtle reference/fun Easter egg to Slightly’s costume in the original ‘Peter Pan’ Disney cartoon), it is made of fidgets she knows Slightly likes—crunchy leaves for stuffing, a soothing texture and satisfying sound when squeezed; sticks for a tail that are tied so they can be twisted/spun around; pine needle whiskers that at first, at least, had a nice smell. And, the final touch: she took the rocks he saved for her eyes and made them the fox’s. When Slightly woke up the next morning, they panicked at first, the rocks lost—then found this on their pillow. Wendy was gone, on a ‘solo adventure’ with Peter, but they caught her grin when they were fidgeting with it later and knew what she had done. This item incorporates Slightly’s attachment to Peter, their self-driven love for Wendy, and Wendy loving even back then that Slightly really notices *her.* (NB: They/Them pronouns used to cover any & all Slightlys.) Concept and Story by Max B., Emma A., Fiona Rose Murphey. Illustrations by Fiona Rose Murphey.” https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/ca979f04-a383-46eb-87ff-7a9135f0c4a3/murphey5.jpg QueeringNeverland - Make it stand out A photograph of Abby-Wendy and Emma-Slightly sitting in front of the window in Wendy’s Nursery, where Peter first met and took her away as a child. Cardboard packing boxes are scattered about the space. The window’s left shutter, on Wendy’s side of the bench, is open—at this point in the play, Wendy still hopes Peter will return. Wendy sits facing Slightly, her hands folded on her knee. A small camping lantern full of yellow twinkle lights—our design team’s representation of the jar of “fireflies”—sits between them, and between them and the window, on the bench. In a romantic gesture, Slightly gently cradles Wendy’s face in her hands, wiping “firefly juice” on Wendy’s cheeks as Wendy looks into her eyes. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/55a5a2c4-b1cf-4887-9f05-7d5b6b30a1e7/murphey4.jpg QueeringNeverland - Make it stand out Two photographs of the fox stuffed animal described in figure two. On the left, a front-view shot of the fox on a table with a blue tablecloth, a Sharpie sitting behind it and a striped, blue scarf—made from a piece of Slightly’s outfit—around its neck. In the final product, its hands and feet are grey, its belly and neck white, its back and face a soft orange, its ears black-and-white striped in front, its pine needle whiskers attached with a knot of grey yarn, and its brown-rock eyes sewn on with grey thread. On the right, a back-view shot of the fox sitting on a wooden chair on the “Lost Girl” set. The backs of its ears are a plaid-material reddish-brown and its twig-propeller tail is attached with a bundle of grey yarn. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/f6a49e36-7cb8-4efa-aa5d-696f2c91c11f/murphey1.png QueeringNeverland - Make it stand out An image of the design proposal I made for Slightly and Wendy's "fireflies" scene. On the left side of the image, there's a diagram of a mason jar, the left half of which shows the outside of the jar with purple UV string lights wrapped around it. The right side of the jar shows what's on the inside—a battery pack taped to the inside wall, and UV blacklight neon florescent body-paint pooled on the bottom. On the right side of the image, there's a title that reads "Slightly's Fireflies" in a decorative, green font, below which is a description of the dramaturgical research/text analysis that went into this scene. The text reads: "Wendy and Slightly's 'Fireflies' scene (p. 52-56) is significant to the overall plot of the play, the growth of the Wendy/Slightly relationship, and to both Wendy and Slightly's individual character development. In the scene, the cracks deepen in Wendy's 'pretending' (p. 90), in her internal resistance to Slightly—to moving on, allowing herself new definition and safety, and accepting these feelings she has—and in her efforts to obfuscate those feelings using Peter. For Slightly, it's yet another moment of internal conflict: they are pulled between their honest desire to honor, help, protect and believe Wendy, and a complex desperation—longing, sometimes bitter, always sincere—to *really be seen* by her. With this prop, what literally makes the stage magic work is when UV lights are held close enough to this type of body paint, they activate its luminescence. But in the moment, it will seem like the closeness between Wendy and Slightly is what activates the magic. At the same time, the source of that magic, the jar, is what separates them—Wendy's quest for Peter and Neverland still stands between them, for now. [sparkle] NB: Slightly uses 'they/them' here because we have one she/her & one he/him-using actor for the role. Also, there are intriguing opportunities to explore queering and complicating the gender dynamics between Wendy and Slightly, and Slightly and Peter (and the other ‘Lost Boys’) in Neverland and afterwards. *Prop Description:* An opaque, wide-mouthed jar with UV lights wrapped around the outside of it. Battery housing for lights is taped to inside wall of jar; lights feed out the opening. Body paint that glows under UV light is in the bottom of the jar, enough to dip fingers into. Slightly puts their hand in the jar, dips some paint, and gently paints Wendy's face. When they hold the jar up (and only when the jar prop is present), the paint glows on both their skin. After this scene, the jar will be gone and the paint will be unobtrusive (almost invisible) for the rest of the show, after which it's water-based and can be easily removed with warm water and soap or basic cleaning products (like any stage makeup)." Below this text, there's a drawing of Wendy and Slightly, a line of yellow paint glowing against her brown skin as Slightly applies it with a thumb, holding the jar between them. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/eee36db2-8c93-4cb8-9ee1-a22ae822979a/murphey3.jpg QueeringNeverland - Make it stand out An image of the design proposal I made for Slightly’s special keepsake from Neverland, a fox stuffed animal sewn by Wendy. The background is a soft cream color, like a map. On the left side, there are two illustrations of the stuffed animal—a front and back view. The front view depicts the fox’s white, triangle ears; soft, orange face; brown, rock eyes, stitched on with black thread that forms its pupils; green pine-needle whiskers and a red rock nose, sewn on with tan thread; orange, cylindrical body and black arms and legs, four little sacks sewn onto its bottom and sides. The back view includes the fox’s tail, which is made of two sticks crossed in an “x” shape, attached to the back with orange yarn in such a way that the “x” can be spun like a fidget toy. A drawing of three rocks is notated with the caption: “Rocks the color of Wendy’s eyes, found on an adventure” and “rock nose.” Between the ears on the back view, a caption reads: “Cloth and thread cut from Peter’s weathered clothes.” Drawings of a leaf and a pine branch are captioned: “Body, head, hands and feet stuffed with leaves of various textures, making it a satisfyingly crunchy fidget toy” and “pine-needle whiskers.” On the right side of the image, the words “Neverland Treasures” are written in stylized blue, and “SLIGHTLY” is written in green below that. A block of text then reads: “Each of the Lost Boys has a keepsake from Neverland: a special object they found, made, or loved there. For Slightly’s, we came up with a story where their original special objects were two round rocks they found, kept because they’re the color of Wendy’s eyes. Wendy heard Slightly mention this once. After that, she made a plan, and one night, when she couldn’t sleep, she put this little stuffed animal together from some of Peter’s old clothing. A fox because red foxes are Slightly’s favorite animal (and a subtle reference/fun Easter egg to Slightly’s costume in the original ‘Peter Pan’ Disney cartoon), it is made of fidgets she knows Slightly likes—crunchy leaves for stuffing, a soothing texture and satisfying sound when squeezed; sticks for a tail that are tied so they can be twisted/spun around; pine needle whiskers that at first, at least, had a nice smell. And, the final touch: she took the rocks he saved for her eyes and made them the fox’s. When Slightly woke up the next morning, they panicked at first, the rocks lost—then found this on their pillow. Wendy was gone, on a ‘solo adventure’ with Peter, but they caught her grin when they were fidgeting with it later and knew what she had done. This item incorporates Slightly’s attachment to Peter, their self-driven love for Wendy, and Wendy loving even back then that Slightly really notices *her.* (NB: They/Them pronouns used to cover any & all Slightlys.) Concept and Story by Max B., Emma A., Fiona Rose Murphey. Illustrations by Fiona Rose Murphey.” https://www.journalcbp.com/v3i1p23-33 daily 0.75 2024-06-05 https://www.journalcbp.com/v3i1p34-47 daily 0.75 2024-06-05 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/7d918e24-5200-46e7-b45d-cc13821cb207/richardson.png Intimacy in Improv - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/24594cb7-ccc7-48bf-b4b2-a6a8d1e26df2/Screenshot+2024-06-04+at+5.35.01+PM.png Intimacy in Improv - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.journalcbp.com/v3i1p48-62 daily 0.75 2024-06-05 https://www.journalcbp.com/v3i1p63-86 daily 0.75 2024-06-05 https://www.journalcbp.com/v3i1p87 daily 0.75 2024-06-05 https://www.journalcbp.com/vol3-2 daily 0.75 2025-02-27 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618497259178-6XJGK9GR6YAVBQL5L519/20140301_Trade-151_012-2.jpg Vol3No2 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694583486-2PQT0LQ193RL7MCB6DX4/20140228_Trade+151_0046.jpg Vol3No2 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1607694644871-IC85FNH781UNZSZEGHDR/Aro+Ha_0428.jpg Vol3No2 https://www.journalcbp.com/v3n2p1-15 daily 0.75 2025-02-15 https://www.journalcbp.com/v3n2p28-48 daily 0.75 2025-02-15 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/63b4c616-2130-40ae-8a2d-8690ec255011/ZJ1.jpg Crowdsourcing - Make it stand out Figure 1: Question about sexual content mentioned in the text from the Content Advisories by Play Google Form. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/2c5ff33c-339e-4ec4-9ed4-ec332cb0b67b/ZJ3.jpg Crowdsourcing - Make it stand out Figure 3: Content Advisories by Play (Responses). The first half of the Google Sheet database. For easier navigation, color-coding groups the columns into the categories of strong or insensitive language, nudity, romantic or sexual intimacy, and sexual violence. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/8a219ff2-4d80-457c-b3af-12623fc981a4/ZJ4.jpg Crowdsourcing - Make it stand out Figure 4: Content Advisories by Play (Responses). The second half of the Google Sheet database. Color-coding groups the columns into the remaining categories: graphic violence, illness or trauma, free response, and user feedback. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/7ca7aa71-0714-4fcc-a2f3-b11520731009/ZJ5.jpg Crowdsourcing - Make it stand out Figure 5: A Tweet from a thread by Silvia Moreno-Garcia, with the screenshots of The StoryGraph content warnings for the two books she mentions side-by-side. (Moreno-Garcia 2021) https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/afcc9b3d-b59a-48c0-acff-c4b2436e7fa8/ZJ2.jpg Crowdsourcing - Make it stand out Figure 2: Question about sexual content depicted onstage from the Content Advisories by Play Google Form https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/0ce8f707-2287-4f44-887b-503a9f80383c/ZJ6.jpg Crowdsourcing - Make it stand out Figure 6: The content warnings section of The StoryGraph’s book review form. (Odunayo and Frelow 2019) https://www.journalcbp.com/v3n2p16-27 daily 0.75 2025-02-15 https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/e5dfc8a2-a908-4f21-9fb8-fe37c33d47ca/GT2.jpg Interweaving Accessibility - Make it stand out Poster design for the production https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/d18eee9e-728f-46c1-b6b7-f262b675c7b2/GT4.jpg Interweaving Accessibility - Make it stand out During rehearsals https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/d6bc97fd-2235-4e18-b8cc-f2ba6b128dfa/GT3.jpg Interweaving Accessibility - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/522b7486-9aef-4b7f-a0b7-73ddf5f30b04/GT5.jpg Interweaving Accessibility - Make it stand out Actors Chloe Lobley and Esther Ridway exploring their movement vocabulary. https://images.squarespace-cdn.com/content/v1/60b4d74807b8d24913ac1730/54818051-17f2-4e22-8495-efa5fb632299/Screenshot+2025-02-14+at+6.21.19%E2%80%AFPM.png Interweaving Accessibility - Make it stand out Anonymous Feedback from audience members. https://www.journalcbp.com/v3n2p49-76 daily 0.75 2025-02-21 https://www.journalcbp.com/v3n2p99-96 daily 0.75 2025-02-21 https://www.journalcbp.com/v3n2p49-76-1 daily 0.75 2025-02-21 https://www.journalcbp.com/v3n2p111 daily 0.75 2025-02-21